Hand-printed by the artist, probably without a printing press, on a sheet of buff wove paper. The distinctive, and deliberately textured, printing of this impression is reminiscent of the treatment of the woodcut ‘5 Circles’, 1934, and some of the linocuts made during the previous decade. Although printed with a viscous ink, the intentional use of a sheet of shiny, non absorbent, paper, further enabled the artist to achieve the desired, uneven printing. The choice of a wrinkled surface introduces a three dimensional quality where the light catches the black ink and further enhances the effect of this impression. The treatment of this example is all the more interesting in the context of Lewison’s claim, in his Print Quarterly article, that Nicholson, by now, had renounced the use of the textured printed surface, in favour of the smooth and even application of pigment, as shown in all the other known impressions of ‘Abstract with Red Circle’.
|Image Size||13.7 x 23 cm|
|Paper Size||19.2 x 23.1 cm|
|Provenance||Stanley J. Seeger/Christopher Cone collection|
|References||Lewison 15; Alan Cristea 21|